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Seafood dishes and sushi, in which worldwide cooking techniques and seasonings are cleverly used

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Seafood dishes and sushi, in w... Seafood dishes and sushi, in w... Seafood dishes and sushi, in w... Seafood dishes and sushi, in w... Seafood dishes and sushi, in w... Seafood dishes and sushi, in w... Seafood dishes and sushi, in w... Seafood dishes and sushi, in w...
By Aya Ota

In the SOHO District where stylish and unique boutiques and galleries stand, there is a door a few steps down from the street level. Opening the door will lead you to an extraordinary space that looks like the interior of a deluxe cruise ship, and entertains you. This is “Lure Fishbar”, one of New York’s prominent seafood specialty restaurants. There, you find creative and ingenious dishes, in which fresh and high-quality seafood is generously used, and worldwide cooking techniques and seasonings are effectively used. There is a raw bar with a wide variety of oysters and clams, and the main dishes include flavorful clam chowder, bisque, grilled or steamed seafood; each of which is cooked properly depending on the ingredient. Sushi and sashimi are the core items of the menu, and account for 30 to 35% of the entire sales.

It was in 2014 when Preston Clark, the Executive Chef of “Lure Fishbar” was hired. His father is a well-known chef who has received an award from the James Beard Foundation, and he has been brushing up his talent and skills since childhood. He also has an honorable record as a nominee for the Rising Star award by the same Foundation. For him, it was the first time to work for a seafood specialty restaurant, but he has created new tastes utilizing his past experiences in working for various famous places such as “Jean George”, a leading French restaurant in New York, and “El Paso” in San Francisco, etc. “Sea Urchin Bucatini” is one of the items he is most proud of. A rich sauce made with generous portions of blue crab meat coats Bucatini pasta, and Hokkaido sea urchin is generously placed on top. The dish doesn’t seem complicated at first glance, but actually a complex and delicate taste has been created by accentuating it with crust made with 3 kinds of chill peppers and garlic. “Hellfire Roll” ($22) is a dish which is colorful and playful. It is a unique roll-style sushi, on which spicy tuna is rolled inside, and seared tuna pieces are added on top.

Kimchee flavor is used effectively. Ponzu-flavored “Kanpachi Sashimi” ($23) provides a rhythmical texture, and added wasabi stem, shallot, garlic, and ginger enhance the taste of the basic ingredients. Other favored Japanese food ingredients they use include raw wasabi, soy sauce, miso, and yuzu. He told me that he learned how to handle seafood and Japanese ingredients from Jean George, who is a Japanese cuisine connoisseur.

Mr. Clark supervises not only the entire cooking aspect as a chef, but also the business aspect. It is not easy to keep attracting customers to such a large-scale restaurant and be profitable at the same time in a place like New York which is a highly competitive market. This restaurant operates from lunch through dinner without a break, and interestingly, they have set up a special period between 3 and 5pm as “Late Lunch”. Due to the nature of the location like SOHO, they try to accommodate a wide variety of customers from locals to tourists. Not only that, the period is the switching point from lunch to dinner, and works well for both efficient operation and profitability. They use social media to attract customers by not only explaining the dishes, but also introducing the health benefits of seafood, and cultural background of each dish.

They also have an excellent lineup of Japanese sake brands. Mariah Bryand, Manager of the restaurant, has acquired a sake sommelier license, and she has carefully selected 20 Japanese sake brands that are a good match to seafood.

Japanese cocktails such as “Soho Sōtō Martini” ($20) made with Junmai Daiginjo and “Red Eye” ($18) with plum wine are also popular. One Junmai Daiginjo brand is featured and introduced as the “Sommelier Selection Sake” every season, and explained in detail about the charm of the featured brand.

You can fully enjoy the depth and broadness of seafood cooking here at “Lure Fishbar”. You feel like trying different dishes and liquors one after another. This is a place full of inspiration and surprises.


世界各国の料理技術や調味料を駆使した魚介料理や寿司

お洒落で個性的なブティックやギャラリーが立ち並ぶSOHO地区。路面から数段降りた位置にある扉を開けると、豪華客船内をイメージした優雅で非日常的な空間が広がり、高揚した気分になる。ここは、ニューヨーク有数のシーフード専門店『Lure Fishbar』。新鮮で高品質な魚介類をふんだんに使い、世界各国の料理技術や調味料を駆使し、創意工夫に富んだ料理が並ぶ。牡蠣やあさりなど豊富な種類を取りそろえたロー・バー、風味豊かなクラムチャウダーやビスク、グリルやスチームなど素材に合わせた技法で調理されたメイン料理……。寿司や刺身は同店メニューの中心的存在で、売上の30〜35%を占めるという。

プレストン・クラーク氏が、『Lure Fishbar』の料理長に就任したのは2014年のことだ。父親はジェイムス・ビアード財団から表彰された著名な料理人であり、幼少の頃から才能と技術を磨いてきた。彼自身も同財団のライジング・スターにノミネートされたという輝かしい経歴を持つ。魚介専門店は初体験だったが、過去に、ニューヨークを代表するフレンチ『Jean George』やサンフランシスコの『El Paso』など、数々の名店で培った知識や経験を活かして、新しい味を創り出している。「Sea Urchin Bucatini」は、クラーク氏自慢の一品。ブルー・クラブをふんだんに使った濃厚なソースをブカティーニ・パスタに絡め、北海道産ウニを贅沢にトッピング。一見シンプルに見えるが、3種類の唐辛子で作ったクラストやニンニクをアクセントにし、複雑で繊細な味を創り上げている。『Hellfire Roll』(22ドル)は彩り鮮やかで遊び心にあふれた内容。ピリ辛味のマグロを巻き込み、さらに炙ったマグロの切り身を乗せるという独特な巻き寿司で、キムチ味を効かせている。ポン酢風味の『Kanpachi Sashimi』(23ドル)には、ワサビ茎、エシャロット、ニンニク、生姜がリズミカルな食感を加え、素材の味を引き立てる。他の日本食材では、生ワサビ、醤油、味噌、柚などを好んで取り入れている。魚介や日本食材の扱い方については、日本食通のジャン・ジョルジュ氏の元で学んだという。

クラーク氏は料理長として、料理全体のみならずビジネス面も統括している。ニューヨークという熾烈な市場で、これだけ大規模な店に集客し、収益を上げていくのは決して簡単なことではない。同店ではランチからディナーまで休憩なく開店しているが、平日3時半〜5時に「Late Lunch」という時間帯を設けているのが興味深い。SOHOという土地柄もあり、地元客から旅行客まで幅広い客層の要望に応えるためでもあるが、ちょうどディナーへの切り替えタイミングでもあり、効率よいオペレーションと収益性を両立させているのだ。集客にはソーシャル・ネットワークを活用、単に料理の説明にとどまらず、魚介類の健康効果やそれぞれの料理の文化的背景なども紹介している。

 同店は、日本酒のラインナップも秀逸だ。同店のマネージャーを務めるマライア・ブライアンド氏は、利き酒氏の資格を取得しており、魚介類に合う日本酒を約20種類厳選している。純米大吟醸を使った『Soho Sōtō Martini』(20ドル)や梅酒を使った『Red Eye』(18ドル)など、日本酒カクテルも人気がある。

「Sommelier Selection Sake」として、季節ごとに特定の日本酒をフィーチャーし、その魅力を詳しく紹介している。

魚介類料理の奥深さや幅広さを存分に味わえる『Lure Fishbar』。次々と違う料理や酒を試したくなる、感動と驚きに満ちあふれた店だ。



Lure Fishbar
142 Mercer Street
New York, NY 10010
Tel: 212-431-7676
URL: www.lurefishbar.com

Dinner
Mon–Sat 5:00 pm–11:00 pm
Sun 5:00 pm–10:00 pm

Lunch
Mon–Fri 11:30 am–4:00 pm

Brunch
Sat, Sun 11:00 am–3:30 pm
#LureFishbar #NY #alljapannews #seafood #soho #sushi

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Aiming to open 50 locations throughout the US by 2028

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Aiming to open 50 locations th... Aiming to open 50 locations th... Aiming to open 50 locations th... Aiming to open 50 locations th... Aiming to open 50 locations th...
By Keiko Fukuda

“Sushi Stop” is a sushi restaurant chain which has 6 restaurants in the Los Angeles suburbs including Hollywood, Sawtelle, Pasadena, Studio City, etc. Its original owner opened the first location in the 2010s as “a restaurant where you can eat sushi casually at a reasonable price setting”. The restaurant ran successfully, and has continued to add locations. I asked what has triggered Sushi Stop’s turning point. “I heard that it was the YouTube video that ignited the popularity,” answered Kaori Ito, who has been working for the company since 2013. The video clip was uploaded on YouTube in 2016 by BuzzFeedVideo. In the video, 2 YouTubers compare a $250-per-person sushi restaurant and a $3 restaurant. Sushi Stop appears as the $3 restaurant, and the YouTubers make comments in surprise saying “It is unbelievable that such fresh and delicious sushi is offered at this price!”

“A moment after the video was released, people swarmed to all our locations. We got so busy, and never had time to take a break for a long time,” said Ms. Ito thinking back. By the way, as of March of this year, this video has been viewed 29.95million times. I don’t know how many of those people have viewed it more than once, but you can say that it simply made 29.95 million people know about the existence of Sushi Stop. Then in October of 2018, the Sushi Stop chain became part of Japan’s MM Group Holdings, and made a new start. I asked Mr. Sho Tahara, the Director of Product Development of Sunrise Services, and also the COO of Sushi Stop, when I met him at its Studio City location, what part of Sushi Stop got the company interested, and he said, “First, it is their locations. All the locations are good. Also they are targeting Americans. Targeting Americans means the base is broad.

Especially here at the Studio City location, nearly 100% of the customer are Americans (non-Japanese). However, about 10% of the Sawtelle location customers are Asians. So the customer ratio varies depending on the location.” I asked next why they are so popular among American customer.

She said, “I think it is because the price matches the value. In other words, the cost performance is excellent. The average cost per person is $18. Many Americans are very value-conscious. Attracting as many customers as possible with reasonable pricing is the success factor.”

In fact, the Sawtelle location has as many as 400 visitors a day. Sure enough, in the Sawtelle District where there are various Japanese restaurants serving sushi, curry, udon, etc., you see many people waiting in front of Sushi Stop. “On the other hand, due to the fact that we are so busy, we sometimes receive comments about our staff not being very attentive. We never had a system to train our employees before, so we are planning to allocate a supervisor at each location, and implement training programs for human resources training.”

Mr. Tahara mentions, “cost performance”, many times. As introduced in the video as a 3-dollar sushi place, even the current menu still offers a reasonable price setting. Each pair of salmon, yellowtail, mackerel, shrimp sushi, etc. is $3.50, and roll sushi such as California roll, spicy tuna roll, and salmon avocado roll are $4.50 for 8 pieces. However, the most popular items are not nigiri type, but are the very California-like easy-to-understand tasting items such as the Dynamite roll or Popcorn-Shrimp roll.

“As they say, ‘when in Rome, do as the Romans do’, I would like to keep offering the kinds of menus that are well received by Americans. And, eventually, my goal is to take Sushi Stop to Japan. I want to make Sushi born in Los Angeles popularized in Japan in a prospect of reverse importation,” Tahara says.

In the US, the Olympic Games will be held in Los Angeles in 2028, and they have a goal to open a total of 50 locations in the next 10 years before that. He spoke of his aspiration as follows. “In order to reach the goal, I would like to implement a new marketing strategy by using social media.”


目標は2028年までに全米50店

ハリウッド、ソーテル、パサデナ、スタジオシティなどロサンゼルス近郊に6店を構える寿司レストランチェーン、Sushi Stop。前オーナーが、2010年代に入ってから「リーズナブルな値段で気軽に寿司が食べられる店」としてオープン、店は成功し、店舗数を増やしていった。何がSushi Stopの転機となったかを聞くと、2013年から同社に勤務する伊東香里さんは「You tubeの動画で人気に火がついたことです」と教えてくれた。その動画は2016年にBuzzFeedVideoがYou tubeにアップしたもので、二人のユーチューバーが単価250ドルの寿司店と3ドルの寿司店を食べ比べる内容。Sushi Stopは3ドルの寿司店として登場、ユーチューバーは「こんな新鮮で美味しい寿司がこの価格だとは信じられない」というリアクションを見せている。

「動画がアップされた途端、全店に顧客が押し寄せ、休む暇がないほど忙しい時期が続きました」と伊東さんは振り返る。ちなみにこの動画、2019年3月時点での閲覧数は2,995万回に達している。この手の動画を繰り返し見る人がいるかどうかわからないが、単純に考えれば2,995万人にSushi Stopの存在をこれまで知らせたことになる。

そして、2018年10月、Sushi Stopは日本のMMグループホールディングスの傘下に入り、新しいスタートを迎えた。Sushi Stopのどんな点に興味を覚えたのか、スタジオシティ店で会ったサンライズサービスの商品開発部部長であり、Sushi Stopのチーフ・オペレーション・オフィサーである田原祥さんに聞くと次のように答えた。

実際に、ソーテル・サウス店の1日の来客数は400人にのぼる。寿司、カレー、うどんと様々な種類の日本食レストランがひしめくソーテルにあって、確かにSushi Stopの前には多くの入店待ちの客がたむろしている光景が見られる。「しかし、多忙なせいでスタッフのサービスが雑だというコメントをいただくこともあります。これまでは従業員に対してトレーニング制度がなかったので、今後は各店にスーパーバイザーを配置して人材育成のためのトレーニングを実施していく計画です」

田原さんの口からは何度も「コストパフォーマンス」という言葉が出る。動画でも3ドル寿司と紹介されているが、現在のメニューでも、サーモン、ハマチ、さば、エビなどが2貫で3ドル50セント、カリフォルニアロール、スパイシーツナロール、サーモンアボカドロールなどの巻物も8ピースで4ドル50セントと良心的な価格設定だ。

しかし、人気のメニューは握りではない。ダイナマイト巻き、ポップコーンシュリンプロールといったカリフォルニアらしい、分かりやすい味の寿司が最も出るという。

「郷に入れば郷に従え、の精神で、アメリカ人に受け入れられるメニューを中心に提供していきます。そして最終的には日本にSushi Stopを持ち込むことが目標です。ロサンゼルスで生まれた寿司を日本で流行らせる、逆輸入を視野に入れています」

米国では、2028年のロサンゼルス・オリンピック開催年までに50店舗を展開する10カ年計画を掲げている。目標達成のためには「SNSを使った新たなマーケティング戦略を実行に移したい」と、田原さんは抱負を語った。



Sushi Stop
11837 Ventura Blvd., Studio City, CA 91604
(818)760-4444
https://sushistop.com

Open Daily 11:30am-10pm
Fri. & Sat. 11:30am-11pm
#CA #alljapannews #sushistop

ワオ!と言っているユーザー

“UNIQLO Releases T-shirt Designs Worldwide for Selected Sake Brewers”

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“UNIQLO” is a clothing brand representative of Japan.

Today, the brand’s store locations are expanding not only across Japan, but also worldwide, including a North American store location in New York.

UNIQLO selected sake brewers with a track record of producing notable sake brands from throughout Japan, and released a collaborative series of T-shirt designs that incorporate the concept and design of each selected sake brand, titled “Sake Brewer SAKAGURA UT.”

Eleven sake breweries were selected from throughout Japan with each brewery’s unique individuality, history, and label design incorporated into it’s own T-shirt design, resulting in the release of eleven T-shirt designs total.

Nanbubijin is one of the sake breweries selected for this project with their own unique T-shirt design soon to be released.

In Japan, this T-shirt will mainly be sold in some of the major stores, online, and overseas at the same time.

Please look for these T-shirts in the U.S. as well.

Each design and colors are unique and different for the eleven sake breweries.
Why not get all eleven T-shirts as a complete collection?

It’s very exciting to see the Japanese national retail brand UNIQLO focus on regional sake breweries that hold steadfast to history and tradition!

■UNIQLO Sake Brewery UT Home Page
https://www.uniqlo.com/jp/store/feature_mb/uq/fe_list/ut/sakagura/men?fbclid=IwAR2bt_JQX2xh_DBCjreN0VLUUtG5jbaN3fk8FuMeoSsY2qRGeK3fDRkRWjA


「ユニクロで酒蔵Tシャツ世界販売」

日本を代表する洋服のブランド「ユニクロ」。

今では日本だけでは無く、世界中に店舗を展開しています。もちろんアメリカにもニューヨークをはじめ、店舗を展開しています。

そんなユニクロが、日本全国から崇高な酒造りの歴史を持つ酒蔵をセレクトし、そのデザイン性や哲学の思想をデザインにしたコラボレーション企画「酒蔵 SAKAGURA UT」シリーズを2019年3月に発売開始しました。日本全国から11の蔵元がユニクロに選ばれ、それぞれの蔵の持つ個性や歴史、そしてラベルなどのデザイン性を取り入れて、各蔵独自にユニクロがデザインしたTシャツが11枚出来上がりました。

南部美人も、もちろん今回蔵元として選ばれており、南部美人独自のデザインをしていただいたTシャツが販売されます。このTシャツは、日本では一部の大型店舗での発売と、ネットでの販売がメインになりますが、海外での販売も同時に行われます。

アメリカでも発売される予定ですので、楽しみにしていてください。11の蔵元全てのデザインや色が違います。是非11の蔵元全てのTシャツをそろえて、コンプリートにも挑戦してみてください。

日本を代表する企業であるユニクロが、伝統と歴史を大事にする地方の酒蔵に注目してくれたことがとてもうれしいです!

■ユニクロ酒蔵UTホームページ
https://www.uniqlo.com/jp/store/feature_mb/uq/fe_list/ut/sakagura/men?fbclid=IwAR2bt_JQX2xh_DBCjreN0VLUUtG5jbaN3fk8FuMeoSsY2qRGeK3fDRkRWjA
#alljapannews #sake #uniqlo

ワオ!と言っているユーザー

The way a new-generation American-style Izakaya should be

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The way a new-generation Am... The way a new-generation Am... The way a new-generation Am... The way a new-generation Am... The way a new-generation Am... The way a new-generation Am... The way a new-generation Am... The way a new-generation Am... The way a new-generation Am...
By Elli Sekine

The Japanese cuisine boom in San Francisco has been more and more diversified every year, and the number of restaurants which are run by non-Japanese owners is increasing. In the Bay area, Michelin-starred Japanese and non-Japanese restaurant owners share a 50/50 ratio. Highquality and unique Japanese restaurants are spreading to the suburbs, and people are talking about them everywhere. I heard about such a restaurant existing in Fairfax, a small suburban town of San Francisco, which is run by a couple of American co-owners. I decided to go there to make a report.

This little town possesses some local power. The “Good Earth” (a sustainable super market) born in Fairfax has experienced rapid growth supported by its local residents. There are many small individual stores in the town center, and those markets, cafes, and restaurants lined up on the streets are creating a warm and relaxed scenery. On one such street, I saw people gathering around. It was a line of people waiting for the opening of the only Japanese restaurant in town, “Village Sake”. I asked them how they felt about the restaurant. The customers in the line, who made up a wide variety of age groups commended on the restaurant, in a way that reflected how much the restaurant was loved by the local people.

The place of topic is the first restaurant run by Scott Whitman and Scott Porter. It is an Izakaya-style restaurant which is high-end, yet casual. Chef Whitman worked for “Fog City Diner”, a long-established San Franciscan American cuisine restaurant chain in Osaka for 15 years as a staff member since its opening in Osaka in the nineties. While working there, he fell deeply for the charms of Japanese cuisine, and after returning to the US, he worked for “Sushi Ran”, a highend Japanese restaurant, as a chef, and earned a good reputation for his great skills. In the meantime, ideas for new recipes and a concept for his own place started to grow in his head. In 2015, they opened “Village Sake” in Fairfax, where both of them were born and raised. Mr. Porter, who named the place as a village, expressed his love for the region as follows, “Doesn’t this name sound cool? I imagined a place where local folks gather to mingle by eating and drinking.” Surprisingly, Mr. Porter also has an active career as a fire fighter. I asked him why he tried for an unfamiliar field, which was to run a restaurant. He answered, “I like to eat. You live only once, so I wanted to try different things.” He was born and raised in the same town as Mr. Whitman, and they were not only friends, but roommates as well.

The restaurant’s casual looking interior space that contains grainy wooden tables which give a feel of warmth of wood with effective warm illuminations, provides a cozy Izakaya atmosphere. Japanese-style partitions are installed to help maintain your privacy and comfort. Their efficient looking staff members are all friendly, and look like they are having a good time. The cheerfulness of the two owners seems to have a lot to do with the way the restaurant is operated.

The menu is full of Mr. Whitman’s creative dishes. The special of the day of my visit was the “Seater Albacore” ($11). The taste was deepened with fresh basil and curry oil, accentuated by lemongrass and small goat cheese cubes. The recommended dish, “Seared Toro” ($24) was tender and had a melting texture of seared medium toro, and the caviar topping was quite unconventional. Its rich taste and citrus sourness created a good balance. “Kansai ika” ($11) is Whitman’s own favorite dish of the Osaka area, in which locally-caught fresh tender squid is served with chill aioli sauce. Among others, Osaka specialties, takoyaki and okonomiyaki are popular as well. They also serve traditional dishes such as pork belly, and sunomono, which have been arranged slightly to suit American tastes.

They serve everything from light dishes such as Asian kimchee brussel sprouts and dumplings, to high-end items in which lobster and caviar are used in addit to tara saikyo-zuke (miso marinated cod), and wagyu beef tataki, and all of these dishes create a true Americaunique Izakaya menu. This is the kind of restaurant you want to go every day because of their reasonable pricing for a high-end quality food San Franciscan restaurant.

To match their concept as “a place to enjoy sake and food”, the drink menu of “Village Sake” consists of a wide variety of local sake, plus shochu, beer, and wine brands. They also carry specially aged sake and barreled sake, which are very well appreciated by sake connoisseurs. Since its opening, this place has been featured in local magazines as one of the best 100 restaurants in the area, and has even earned the “Michelin Guide’s Bib Award”, etc., and has been on the right track ever since. They are planning to open a new sake bar next to the restaurant soon. “Village Sake” is now on the way to proceed to the next stage supported by the residents in the area.


新世代アメリカ風Izakayaの在り方

サンフランシシスコの和食ブームは年々多様性が進み、ノンジャパニーズの経営者が急増している。現在ベイエリアではミシュラン星を獲得しているのは日本人とノンジャパニーズは半々の割合だ。高品質でユニークなレストランは郊外にも広がり各地で話題となっている。今回、サンフランシスコの郊外の小さな町、Fairfaxにアメリカ人の共同経営者が手がける噂のレストランがあると聞き取材に出かけた。

 この小さな町は地域力がある。Fairfax から生まれた「Good Eath」(持続可能なスーパー)は住民の支持で急成長を遂げた。町の中心には小さな個人商店が多くマーケットやカフェ、レストランが並びほのぼのした光景だ。そんな通りにある人だかりを見つけた。この町に一軒しかない日本食レストラン「Villege Sake」の開店を待つ人の列だ。評判を聞いたところ、幅広い年齢層の客が同店の自慢をしてくれた。地域に愛されている様子が伝わってきた。

噂のレストランは、Scott WhitmanとScott Porter が初めて経営するハイエンドなのにカジュアルな居酒屋。 シェフのWhitman 氏はサンフランシスコのアメリカ料理老舗の「Fog City Diner」が90 年代大阪にオープンした際、スタッフとして大阪で15 年間を過ごした。その生活の中で日本食の魅力に取り付かれ、アメリカに帰ってからも高級日本食レストラン、「Sushi Ran」でキッチンシェフとして技術を磨き高く評価されている。その内に新しいメニューのアイディアや自分の店構想が湧いてきた。そして2015 年、両者が生まれ育ったFairfax に「Village Sake」をオープンした。その場所を「村」と表現したPorter氏は、「良いだろう、この名前?この地域の人が飲んで食べて交流する場所をイメージしたんだ」と地元愛を語る。

Porter 氏の経歴はなんと、現役の消防士。何故未経験のレストラン経営に挑んだかを訊ねると、「食べることが好きなんだ。一度しかない人生にいろんな事に挑戦してみたかった」。生まれも育ちも同町でWhitman 氏とは昔ルームメイトだった事もあり長年の友達だ。

 カジュアルな店内は、木のぬくもり感じる木目のテーブルと優しい照明がコージーで居酒屋スピリットを感じさせる。
和風なパーテーションはプライバシーを保て居心地が良い。効率よく動く従業員は皆フレンドリーで楽しそうに見える。オーナー二人の陽気な人柄が店作りに大きく影響しているようだ。

 メニュー構成はWhitman 氏による創造的なメニューが並ぶ。この日のスペシャル「Seater albacore」($11)は、レモングラスーゴートチーズ小さなキューブがアクセントとなり、さっぱりしたバジルとカレーオイルで味に厚みを出している。オススメメニューの「seared toro」($24)は、中トロの部位を炙った柔らかくとろけるような舌触りにキャビアのトッピングが斬新。リッチな味覚にすだちの酸味がバランス良い。「Kansaiika($11)はWhitman 自身が大好きな大阪メニューで、地元で獲れた新鮮で柔らかいイカをチリアイオリで頂く。そのほか大阪名物たこ焼きやお好み焼きも人気。ポークベリーや酢の物などの伝統的メニューもあるがどれもアメリカン風に一工夫加えているのが特徴だ。またアジア風キムチ芽キャベツやダンプリングなどの軽いものからロブスターやキャビアを使ったハイエンドメニューには鱈の西京漬や和牛ビーフのタタキも加わり、アメリカ風居酒屋の醍醐味となっている。ハイエンドなのにSF料金に比べるとリーズナブルで毎日通いたくなる店だ。

 「酒と食を楽しむ場所」がコンセプトの「Village Sake」らしくドリンクメニューは多種の自酒、他焼酎、ビール、ワインなどを揃える。中には特別熟成酒や樽酒などもあり酒好きにはたまならい。オープン以来地元誌にSF ベス ト100 店の一軒に選ばれた。 2017 年には、「Michelin Guide's Bib」の評価を得た同店は軌道に乗り、近々新しい酒バーが同レストランの隣に オープンする。「Village Sake」は、地域 住民に愛され繁栄を続けている。



Village Sake
19 Bolinas Road
Fairfax, Ca.
415-521-5790
http://www.villagesake.com

Sunday 5-9pm
Wednesday-Saturday 5-10pm Closed Mondays & Tuesdays
#alljapannews #isakaya #villagesake

ワオ!と言っているユーザー

拡大するアルコール販売チャンネル

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スシが米国での日本食を牽引し、その他の日本食文化も広げてきたことは間違いない。

現在、米国の大都市では、30年前の「開ければ儲かるスシ屋の時代」は終わり、淘汰の時代を向かえたように感じられる。

スシレストランの出店鈍化や閉店に影響しているのは、高騰する魚介類、高価な初期投資、スシシェフの不足、従業員保険等の諸経費が上がったことや非日本人経営の大型店スシレストランの価格破壊で小規模の店が痛手を受けているためと分析する。しかし、第二の牽引役として注目されているのはラーメンを代表するB級グルメである。2万件以上あるスシレストランと比べると、現在米国では5,000~6,000件あるラーメン屋はまだまだ伸びると思われる。

生魚のイメージを持った高価なスシがここまで米国人に浸透してきたことを考えると、パスタやチキンヌードルスープに慣れた西洋人がラーメンやチャーハンを好まない訳がない。

その他には、お好み焼きやたこ焼きなどのストリートフードも注目され始めきている。また、最近の米国の雑誌には、おでんやカレーなども紹介され始めている。これらの業態の成長を期待し、ますますの日本の酒やビール、焼酎の販売チャンネルが広がることを期待したい。


Expanding alcohol distribution routes

By Yuji Matsumoto

There is no doubt sushi is the driving force behind the expansion of Japanese food, expanding the way for other Japanese foods to follow.

Currently, the old legend of “opening a sushi restaurant will automatically result in success” is long over, and no longer the trend.

The slowing opening and closing of sushi restaurants are due to impact by rising fish and seafood prices, expensive initial investment, lack of sushi chefs, the rising expenses of employee health insurance, etc., and dropping prices due to large sushi restaurants managed by non-Japanese, impacting small-scale restaurants. However, another factor is casual dining such as ramen gaining attention. Compared to the over 20,000 sushi restaurants in business today, there are 5,000~6,000 ramen shops in the U.S., leaving much room to grow and expand.

Considering that fresh (raw) fish at expensive prices have come this far to be widely enjoyed by American consumers, it’s not difficult to imagine their acceptance of noodle products such as ramen, especially since they’re similar to chicken noodle soup, and fried rice.

Other casual dining selections garnering attention is “okonomiyaki” (Japanese pancake with meat, seafood, vegetables, egg, etc) and “takoyaki” (octopus dumplings), etc. and other street foods.

Also, recently, in a U.S. magazine, oden (broiled fish cake) and curry rice are also being introduced. I look forward to these magazines in the U.S. introducing Japanese sake, beer, shochu (distilled liquor), and other distribution channels.


日益擴大的酒類銷售渠道

毫無疑問,壽司推動了美國的日本飲食文化;進而令其他日本飲食文化也得到了擴展。

目前,在美國的大城市,會感受到30年前「只要開壽司店就必然獲利的時代」已然終結;取而代之的是正步向弱肉强食的時代。

據分折,壽司店開店速度放緩,甚或結業,是受到海鮮價格飆升、初期投資昂貴、壽司廚師短缺、員工保險等費用上漲以及非日本管理的大型壽司店壓低價格所影響,而令小型商店受到重大打擊。然而,以拉麵為首的輕巧美食作為第二位主角引起了人們的注意。與超過20,000家的壽司店相比,在美國只有5,000至6,000家的拉麵店,仍有很大發展空間。

鑑於以生魚為形象的貴價壽司已在美國深入民心為考量,已習慣食用義大利麵和雞湯麵的西方人沒有理由不喜歡拉麵和炒飯等食物。

此外,壽喜燒和章魚燒等街頭食品也開始受到關注。另外,最近的美國雜誌亦開始推介關東煮和咖哩等食物。敬請期待此等類型的業務增長;亦希望日本酒、啤酒和燒酒的銷售渠道能得到進一步擴展。


주류 판매 채널 확대

초밥이 미국 시장에서 일본 음식 문화의 대표 주자로 다른 일본 음식을 확산하는 데 견인차 역할을 해 왔습니다.

30년 전만 해도 미국에서 초밥 레스토랑은 ‘열기만 하면 돈을 쓸어모으는 황금알을 낳는 업종”이었습니다. 그러나 현재 미국의 대도시에서는 쇠퇴의 길을 걷고 있는 듯이 보입니다.

이와 같은 초밥 레스토랑의 출점 둔화와 폐점은 어패류 가격의 폭등과 막대한 초기 투자, 초밥 요리사의 부족, 종업원 보험 등의 제반 경비 인상, 외국인이 경영하는 대형 초밥 레스토랑의 가격 파괴 등으로 인해 소규모 초밥집이 타격을 받고 있기 때문으로 분석됩니다. 그러나 또 다른 요소는 라멘과 같은 B급 일식 문화입니다. 2만개가 넘는 초밥 레스토랑과 비교하면 현재 미국에 5,000~6,000개의 라멘집이 있으며, 아직 성장할 여력이 남아 있습니다.

고가의 날 생선이라는 이미지가 있는 초밥이 미국인에게 인기를 얻은 것을 생각해 보면, 파스타나 치킨 누들 수프에 익숙한 서양인이 라멘이나 볶음밥을 싫어할 이유가 없습니다.

그 밖에도 오코노미야키나 다코야키 등 길거리 음식도 주목을 받기 시작했습니다. 또한, 최근 미국의 잡지에서 오뎅과 카레 등도 소개되고 있습니다. 이러한 업종의 성장을 기대하면서 일본의 술과 맥주, 소주의 판매 채널이 확대되길 기대합니다.
#alcholdistribution #alljapannews #アルコール販売

ワオ!と言っているユーザー

Park Avenue /Autumn, Summer, Winter, Spring -Restaurant to be renewed entirely at every change of the season-

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Park Avenue /Autumn, Summer... Park Avenue /Autumn, Summer... Park Avenue /Autumn, Summer... Park Avenue /Autumn, Summer... Park Avenue /Autumn, Summer... Park Avenue /Autumn, Summer... Park Avenue /Autumn, Summer...
By Aya Ota

Park Avenue” is a restaurant which has the theme, changes of four seasons. At every change of the season from autumn, winter, spring, to summer, its menu, its interior decorations, and even its staff uniforms get renewed, and the name of the restaurant also changes to “Park Avenue Autumn”, “Park Avenue Winter”, “Park Avenue Spring”, or “Park Avenue Summer”, and the sign gets changed accordingly.

This innovative idea of renewing the entire restaurant according to the image of the current season frequently became the topic of conversation, which led this place to win numerous awards in the past.

This restaurant has been loved by New Yorkers for a long time. It was operated for 22 years on the Upper East Side since its 1992 opening before it moved to the present location about 5 years ago. The concept for the menu is contemporary American. Ingredients from all over the world are creatively arranged in the dishes. The person who created the basic principles of the menu is Craig Koketsu, the former executive chef, who has now the role of both chef and partner. He is a third-generation Japanese American, and his last name, Koketsu, is Japanese. It may be the reason why he uses so many Japanunique food ingredients in his dishes.

The present executive chef is Zene Flinn. was born and raised in the Quincy District of Washington State where agriculture is the main industry. His father was an apple grower there. He grew up surrounded by seasonal fresh ingredients, which inspired him naturally to seek a career in cooking. After graduating from the well-known culinary school, “French Culinary Institute (presently called International Culinary Center)”, he built up his career at “Nougatine” run by Jean-Georges, who is a top leading French chef in New York. He joined the “Quality Branded Group” which developed 10 restaurants in New York, Miami, and Denver including this “Park Avenue” in 2010.

Flinn’s dishes represent his full love for the ingredients, and are superbly creative. He uses a wide variety of Japanese ingredients that include miso, mirin, yuzu juice, yuzu kosho, shirodashi, wasabi, sansho, umeboshi, etc. Soy sauce and miso are often used as a secret seasoning to enhance, deepen, or soften the taste. Yuzu, red pepper, and sansho are used to accentuate dishes by contributing to the impression for the first bite, or for visual effects. The surprising combinations of ingredients are something only a non-Japanese could think of, and are excellently balanced. Their concept, in which the changes of each of the four seasons is valued, is somewhat common to what Japanese cuisine is. In the summer of 2018, Flinn was invited by the Niigata Prefecture Government, and visited its local farms and producers, and was deeply impressed by the Japanese food ingredients, and learned a lot about them. Just recently, in January of this year, he impressed industry people at a reception held by the Governor of Niigata by creating and serving brand-new dishes, in which he used Niigata-made soy sauce, Kanzuri (fermented red pepper seasoning), and miso in Italian, Mexican, and Spanish style dishes.

One of the charms of this restaurant is its size. There are 220 seats in the main dining space alone. Additionally, there are 4 private spaces for event use, on which they like to put a special value. All those 4 spaces combined can accommodate parties of 200 people if sitting, and 300 if standing. In the eventful holiday season, they sometimes have as many as 1000 people a day.

This is definitely the kind of restaurant you would like to visit at every season - Autumn, Winter, Spring, or Summer - to enjoy each season of New York through all 5 of your senses.


四季が移るごとにレストラン全体を一新
『パークアベニュー/オータム、ウィンター、スプリング、サマー』


四季の変化をテーマした店『パークアベニュー』。秋、冬、春、夏…と季節が移るごとに、メニューや内装、従業員のユニフォームまで一新し、店名も『パークアベニュー・オータム』、『パークアベニュー・ウィンター』、『パークアベニュー・スプリング』、『パークアベニュー・サマー』と変え、もちろん看板も一新する。この「四季をイメージしてレストラン全体を一新する」という斬新なアイデアは話題となり、過去に数々の賞を受賞している。

同店は、1992年創業以来、約22年間アッパーイーストサイド地区で営業した後に移転、現在の場所で再開して約5年になり、長きにわたりニューヨーカー愛されている店だ。料理のコンセプトは、コンテンポラリー・アメリカン。世界各国の食材を取り入れた、創意工夫に富んだ料理が並ぶ。同店の基本方針を作ったのは、前料理長で現在はシェフ&パートナーを務めるクレイグ・コウケツ氏。日系アメリカ人三世で「纐纈(コウケツ)」は日本の名字。その影響もあってか、日本食材を多く取り入れているのも特徴的だ。

現在、料理長として腕を振るうのは、ジーン・フリン氏。フリン氏はワシントン州クインシー地区の農業がさかんな地域で生まれ育ち、父親もリンゴ栽培をしていた。幼少の頃から、四季折々の旬の素材に触れて育ち、料理への関心を深め、シェフの道を志したのはごく自然なことだった。料理の名門校『フレンチ・カリナリー・インスティテュート(現インターナショナル・カリナリー・センター)』を卒業後、ニューヨークを代表するフレンチシェフ、ジャン・ジョルジュル氏が経営する『ヌガティーン』で修行を積む。『パーク・アベニュー』を含む合計10店舗のレストランをニューヨークやマイアミ、デンバーで展開する『クオリティ・ブランディッド・グループ』に入ったのは2010年のことだ。  

 フリン氏が創り出す料理は、食材への愛にあふれており、かつ独創性にも優れている。日本食材としては、味噌、みりん、柚子果汁、柚胡椒、白出汁、ワサビ、山椒、梅干し…など、幅広く取り入れている。醤油や味噌は隠し味として使うことも多く、料理の味をまろやかに奥深く広げてくれる。柚や辛子調味料、山椒などは料理のアクセントに活用し、口に運んだ瞬間の印象や見た目の華やかさを創り出す。日本人では思いつかないような、意外な食材同士を組み合わせ、見事な調和を創り出している。四季の変化を大事にするというコンセプトは、和食にも通じるところがある。 フリン氏は、2018年夏に、新潟県の招聘で農家や生産者を訪問、日本産食材の素晴らしさに感銘を受け、理解を深めたという。今年1月には、新潟県知事が主催したレセプションで、新潟産の醤油やかんずり(発酵辛子調味料)、味噌を、イタリアンやメキシカン、スパニッシュスタイルと組み合わせ、全く新しい料理を創り出し、業界人をうならせたばかりだ。

同店の醍醐味はレストランの規模感にもある。座席数はメイン・ダイニングだけで220席。その他、プライベート・イベントに力を入れており、店内に4カ所の専用スペースがある。4つのスペースを合計すると着席で約200、立食で約300もの人数に対応できる。ホリディシーズンでイベントが多い時期には一日1000人以上の来客があることもあるという。

秋、冬、春、夏、すべての季節に訪れ、五感を通してニューヨークの四季を満喫したい…そんなレストランだ。



Park Avenue /Autumn, Summer, Winter, Spring
360 Park Avenue South
New York, NY 10010
Tel: 212-951-7111
URL: www.parkavenyc.com

Mon – Thurs 11:30 am – 10 pm
Fri 11:30am – 11pm
Sat 11am-3pm, 5pm – 11pm
Sun 11am-3pm, 5:30-9:00 pm
#Japanunique #NY #alljapannews #parkavenue #restaurant

ワオ!と言っているユーザー

Oreno Yakiniku Japanese Bar-B-Cue -Bringing in customers with the signature menu item, KOBE SPECIAL, and offering happy hour twice a day.-

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Oreno Yakiniku Japanese Bar-... Oreno Yakiniku Japanese Bar-... Oreno Yakiniku Japanese Bar-... Oreno Yakiniku Japanese Bar-... Oreno Yakiniku Japanese Bar-...
By Keiko Fukuda

A Japanese style yakiniku restaurant “Oreno Yakiniku” is located on the third floor of the Weller Court, a shopping mall in Little Tokyo. This place gets especially busy during lunch hours and also while some event is being held nearby. During lunch hours, neighboring Government office workers and other business people swarm to this restaurant to get the lunch specials of this restaurant. Whenever some Japan-themed event is held in the downtown area, such as the Anime Expo, a huge number of people would move into Little Tokyo from the event hall.

This restaurant shows different faces between lunch and dinner. First of all, the reason for the popularity of lunch time is the richness of their menu, and the reasonable pricing. As for the lunch menu variety, aside from the Yakiniku lunch, they also offer as many as nearly 30 or so different items. The grilled miso-marinated black cod, fried salmon, fried prawn, kurobuta shoga-yaki, tonkatsu, jidori karaage, curry, and donburis are some of those items, and most of them are under $15. The ishiyaki bibimbpa is only $9.95. The pricing is very reasonable considering its good location.

For dinner time, on the other hand, a yakiniku set menu called “Snake River Farms Kiwami”, in which a high-quality brand beef is used, is very popular. The Snake River Farms Kiwami is the highest-quality USDA certified beef, and is a relative of Kuroge Japanese beef.

“The beef we use is equal or above prime grade. You can enjoy true high-class delicious beef, which tastes different from all-you-can-eat type of beef,” says the Assistant Manager, Sachie Ebata.

The most popular item among their yakiniku set menu items is the KOBE SPECIAL. As the name suggests, all the meats in the set, yukke, tongue, ribeye, short rib, outside skirt, chuck flap, and ox tail soup are Kobe beef. In addition, the set includes an ishiyaki bibimpa, a cabbage salad, and a dessert. This special course, which is satisfactorily enjoyable with its generous volume and variety, is $135. The reason for having continuous repeating customers seems to be due to not only the meat quality, but also the variety of meat parts you can taste. Thus mentioned, the average lunch time spending for a single customer is between 10 and 15 dollars, whereas it is between 30 and 50 dollars for dinner time, which is a big difference. In order to attract more customers for dinner hours, this restaurant takes on an attractive strategy, which is to offer happy hour twice a day.

The first happy hour is from the opening time (different depending on the day: either 5pm or 5:30pm) to 7pm, during which they offer a drastic discount for Asahi draft beer at $1.99 (instead of the regular price at $5.50), $1 off on cold or hot sake, and $2 off on a glass of wine. Moreover, they offer a 20% discount on a bottle of shochu, and 15% off on a portion of the meat menu items.

The second happy hour is between 8 and 9pm. The discount rates on the hot sake, cold sake, and a glass of wine are the same as the first happy hour; however, Sapporo draft beer is offered surprisingly at only 99 cents. But, there is a catch. This special discount applies only to the customer who ordered more than $10 worth of food or drinks for one person.

Before this restaurant opened 6 years ago, the Assistant Manager, Ebata, was working for EBISU, another Japanese restaurant in Little Tokyo. Both Oreno Yakiniku and EBISU are under the same company, Bishamon Group, which has developed more than 10 restaurants in the Los Angeles area. The Bishamon Group is the pioneer which has brought back the vividness to Little Tokyo ever since its opening of the popular Daikokuya ramen restaurant on 1st street, which has been attracting a lot of customers of many ethnicities. Due to the construction rush of the nearby condominiums, the area has a problem which is the lack of parking places, and the parking charge hike, which is also affecting their ability to attract more customers. Despite the odds, they say that Oreno Yakiniku is committed to keep offering quality meat, and continuing the business based in Little Tokyo for the future.


看板メニューKOBE SPECIALと1日2回のハッピーアワーで集客

リトルトーキョーのショッピングモール、ウエラーコートの3階にある日本スタイルの焼肉レストラン「俺の焼肉」はランチタイムとイベント時期に特に賑わう。ランチタイムには隣接した官庁街からビジネスマンが同店のランチを目指して集まってくる。また、ダウンタウンでアニメエキスポといった日本をテーマにしたイベントが開催される期間には、イベント会場からリトルトーキョーに人々がそのまま大量に移動してくるという。

この店は昼と夜では違う顔を見せる。まず、ランチタイムが賑わう理由はメニューの豊富さとリーズナブルな料金だ。ランチメニューには、焼肉ランチを始めとして、銀だらの味噌焼き、サーモンフライ、海老フライや黒豚しょうが焼き、とんかつ、地鶏唐揚げ、カレーや丼まで30種類近くがずらりと並ぶ。ほとんどが15ドル以下、石焼ビビンバは$9.95と、場所を考えると非常に手頃な値段だ。

一方、ディナータイムには「スネイクリバーファーム極(きわみ)」という名前のブランド牛を使った、品質にこだわった焼肉セットが大人気。スネイクリバーファームの極は米国和牛協会の認定を受けた黒毛和種の血統を受け継ぐ最高級ブランドだ。

「肉はプライム以上のものを使用しています。食べ放題の肉とは一線を画す高級感のある美味しいお肉を楽しんでいただけます」と話すのは、同店のアシスタントマネージャーの江端さちえさん。

焼肉セットの一番人気はその名もKOBE SPECIAL。ユッケ、タン、リブアイ、ショートリブ、アウトサイドスカート、チャックフラップ、オックステールスープとすべてが神戸ビーフ尽くしで、これに石焼ビビンバとキャベツサラダにデザートが加わる。十分なボリュームとバラエティー豊かな肉が楽しめるスペシャルメニューのお値段は135ドル。肉の品質だけでなく、様々な部位を味わえることがリピーター続出の理由のようだ。

このように、ランチタイムは客の平均単価が10ドルから15ドルに対し、ディナーには30ドルから50ドルほどとギャップがある。そこでディナータイムにより顧客を惹きつける、魅力的な仕掛け作りという意味で、同店では二度のハッピーアワーを毎日実施している。

まず第一弾はオープン(曜日によって異なる。午後5時から5時半)から午後7時までで、アサヒの生ビールが1ドル99セント(通常5ドル50セント)と破格になるのをはじめ、冷酒や熱燗は1ドルオフ、グラスワインは2ドルオフになる。さらに焼酎のボトルは20%オフ。ミートメニューの一部も15%オフで提供される。

そしてハッピーアワーの第二弾は午後8時から9時まで。熱燗、冷酒、グラスワインの値段は第一弾と同じだが、サッポロの生ビールがなんと99セント。ただし、一人10ドル以上注文した顧客のみが対象となる。

6年前にこの店がオープンする前、アシスタントマネージャーの江端さんは同じくリトルトーキョー内にある日本食レストランのEBISUに勤務していた。この俺の焼肉もEBISUも、ロサンゼルス界隈に10数店舗を展開する毘沙門グループの傘下にある。毘沙門グループはリトルトーキョーのファースト・ストリートにラーメン店大黒家を出してから、人種を問わず顧客を集めたことで、この地域に活気を取り戻した立役者だ。昨今はコンドミニアムの建設ラッシュで駐車場の数が減ったこともあり、駐車場代が高いことが集客のネックになってはいるが、俺の焼肉はこれからも良質の肉にこだわり、リトルトーキョーを舞台に営業を続けていく所存だということだ。



Oreno Yakiniku
123 S Onizuka St., Ste 308 Los Angeles CA 90012
(213)680-0829
http://www.oreno-yakiniku.com/

Tue.-Sun. 11:30am-2:00pm
Tue.-Thu. 5:30pm-10:00pm
Fri, 5:30pm-11:00pm
Sat. 5:00pm-11:00pm
Sun.5:00pm-10:00pm

Monday Closed
#BarBCue #LA #OrenoYakiniku #alljapannews

ワオ!と言っているユーザー

First time in the world!! A toast was given with Awa sake during an official party overseas!! Part 2

スレッド
By Kosuke Kuji

A traditional Japanese ceremony of breaking open the sake barrel was held on stage, followed by the welcome beverage of “Awa sake” served in champagne glasses to approximately 300 Japanese and Italian guests to toast together at once. This sight had me dreaming of “Awa sake,” instead of champagne, being served at a large government-sponsored party, such as the 2020 Tokyo Olympics.
In Italy, where sparkling wine originated, I observed the Italian staff showed no sign of hesitation serving Awa sake at an official party sponsored by Japan. There’s no reason why we can’t do the same in Japan.

Not to deny champagne in anyway, but the conventional welcome beverage at past parties was the bubbly alcoholic beverage champagne, without question. At the same time, there is no reason why champagne should be the only beverage choice for foreign dignitaries to give a toast at the Tokyo Olympics. Although “the only beverage option for a toast” in the past was champagne, we now have “Awa sake” as another option, served successfully at a party in Italy to all attendees for a toast without causing any confusion in the operation.

We’d love to recreate this beautiful miracle again in 2020. Since we were successful in Italy, there’s no why we can’t serve Awa sake at an official party again, this time in Japan. Although challenges still remain, this day was a milestone that brought us one day closer to our goal to make Awa sake the “global beverage choice for a toast worldwide.”


世界初!!海外のパーティーでawa酒で乾杯!! パート2

ステージ上では日本の伝統的な儀式である鏡開きが行われ、その後ウエルカムドリンクで手に持っているシャンパングラスに注がれた日本酒である「awa酒」で、日本、イタリアの関係者約300人が一斉に乾杯するその姿は、2020年東京オリンピック・パラリンピックで政府主催のパーティーなどで行われる乾杯がシャンパンではなく「awa酒」で乾杯するその姿を予想する事が出来ました。

イタリアと言うスパークリングワインの本場で、公式な日本の主催パーティーで、イタリア人のスタッフが何の戸惑いも無くawa酒をサーブできる事もわかりました。これで日本で出来ないはずがありません。

シャンパンを否定するのではなく、今まではこういったパーティーのウエルカムドリンクは泡のお酒、シャンパンと言う事で当たり前に使われていましたが、日本で開催するオリンピックで海外の要人が乾杯をシャンパンでどうしてもしなければいけないことはありません。今までは「シャンパンしか選択肢に無かった」だったのが、今ではこの「awa酒」があり、awa酒で見事にイタリアでのパーティーでオペレーションから混乱も無く、会場全員でawa酒で乾杯をすることが出来ました。

この素晴らしい奇跡を2020年の日本で是非再現したいと思います。イタリアで出来たのだから日本で出来ないはずはありません。「世界の乾杯酒になる」とう大きな目標に大きく近づいた貴重な一日になりました。世界へのawa酒の挑戦はまだまだ続きます。世界の乾杯酒を目指して!!
#Awasake #Japanese #alljapannews #sake

ワオ!と言っているユーザー

A long-established sushi restaurant loved by the region —Sustaining while changing—

スレッド
A long-establis... A long-establis... A long-establis... A long-establis... A long-establis...
By Elli Sekine

Ebisu, which is going into their 37th year of operation this year, is a long-established restaurant that has been leading the sushi boom in San Francisco. This restaurant is located near the center of the Golden Gate Park, and had become a super popular place in the nineties, where people would wait in line for a long time. Since then, they have tried diversified management styles, and tried out new sushi business models. Actually, in the past 30 years, they have expanded the business by opening 3 new restaurants, then closing them, and currently running only the main location. In their history, you can identify the pros and cons of a family-run operation. Ebisu has always been particular about quality and originality, and therefore, it was their management strategy to match the trends of the time. “The fundamentals are the most important things for the operation, which are consistent procurement of fresh ingredients, and the management,” says Erick, the 2nd generation owner.

Changing of management style according to the time…
In 1999, Ebisu Family’s second location, “Hotei,” opened. It was a noodle specialty restaurant which no one paid attention to at that time. The secret dashi made at the main location across the street was used for the noodle soups, and their wide variety of menu items that included udon, soba, somen, showa-taste ramen, etc., and its casual atmosphere made this place a hit. “As long as the base for Japanese cuisine is solidly mastered, you can create any dish,” at that time said Steve who is the founder, and currently the chairman. Especially, the “Reimen (cold noodle)” with house-made rich sauce, which you could not get anywhere else, was their top menu item. Ususally, average time people spend at a noodle specialty restaurant is not long, and therefore, its rotation is quick. From the customers’ point of view, it was really convenient that the restaurant was open from lunch through dinner time, and it was nice that they could have Ebisu’s roll sushi at a reasonable price. This location, thus quickly became very popular. Some customers who could not get into “Ebisu” went there, too. However, due to the ramen boom that came later, those customers slowly left for wanting of the new thing, ramen. For the 2 years prior to closing “Hotei”, they tried to continue by changing the owner, but finally closed its doors in 2015.

Catering sushi for parties…
In the 2000s, the core business that they were running along with the restaurant business was catering of sushi for parties, and catering for business offices.
With catering for weddings to business meetings at renowned hotels, they were extremely busy. The catering business was rapidly growing around that time as a new food business model. Erick, who was the leader of their catering business said, “It was really crazy, the situation we were in”, as he reminisced about those days when he was rushing around like crazy with his father and brothers. Presently, they are developing a well-balanced business based on the main location as the core.

“Airport Ebisu”, the second location of “Ebisu”, and “Hotei”, the second location of “Hotei” at the Financial District
In the early 2000s, the “Ebisu” family opened a branch at the new international terminal of SFO (San Francisco airport) which is known as “the most gourmet airport”. Ebisu was really standing out amongst the selection of restaurants and stores there, where the food culture unique to Northern California with the highest Asian population was symbolized in. Furthermore, the second “Hotei” opened in the Finance District, and their business was at its peak. On the other hand, in the background of such successes, they were having constant hardships with administering of employees, and the management. The distance from the main restaurant seemed to be one of the reasons. The idea of Steve’s, “to keep everybody within the reach of his supervision”, was far from the reality. It was also the time when maintaining of human resources was not catching up with the demands of the rapidly growing Japanese food businesses.

In the second half of the 2000s, San Francisco went into the IT bubbling period, and high-end Japanese restaurants were appearing one after another. Fine dining restaurants that served Omakase and Kaiseki courses increased in number in a very short time. Ebisu did a renovation of the entire restaurant in 2008, but did not change their position all throughout the past 30 years as a casual, locally based restaurant. Because of it, they still keep long-time regular customers without getting distracted by new trends. Moreover, due to the renovation, the older image of them, which is a usual typical sushi restaurant of the nineties, has transformed to a modern, bright, and spacious kind, which is drawing new types of customers. Adding more counter seats is contributing to the increase in the number of single customers.

The long-lasting Ebisu, which was established by a single generation, has been going forward by changing their business format along the way with the times. What has not changed is their offering of fresh ingredients, and their support of the local regular customers. Their family operation principle in which they do not rely completely on strangers, has been carried over to the second generation, and is still evolving.


地域に愛される寿司の老舗
-変わりながら持続する-



今年で創業37年目となるEbisuは、サンフランシスコで寿司ブームを牽引して来た老舗。ゴールデンゲートパークのほぼ中央に位置するサンセット地区で90年代、行列の出来る繁盛店となった。その後多角経営に挑戦し、新しい寿司店の在り方を実践して来た。実際、この30年で3軒の新規店舗を拡大しクローズし、現在は本店のみが既存している。そこには、家族経営の良さと難しさが見えてくる。また、品質とオリジナリティにこだわるEbisuならではの時代に合わせた経営戦略でもあった。「経営は基本が最も大切。それは一貫して新鮮な食材の仕入れとマネージメントです」と2代目店主のエリックさんは語る。

時代に合わせ経営形態を変える
1999年、Ebisuファミリー第2号店となる「Hotei」をオープンした。当時まだ誰も見向きもしなかったヌードル店だ。通り向かいに位置する本店で毎日取る秘伝出汁をヌードルスープに応用する手順でうどん、蕎麦、そうめん、そして昭和の味のラーメンなど豊富なメニューとカジュアルさがウケた。「和食の基本さえしっかりしていれば、どんなメニューでも創作できる」と当時、創始者で現会長のスティーブさんは言っていた。特に自家製コッテリタレの「冷麺」はここでしか食べられない絶品メニューだった。ヌードル店は平均食事時間が少く回転も早い。客にとっては営業時間はランチタイムから通しで便利であり、お得な値段でEbisuのロール寿司を食べられると言う事でたちまち繁盛店となった。「Ebisu」に入れない客も流れていた。しかしその後到来したラーメンブームにより、客は新しいラーメンを求めて散って行った。閉店前2年間はオーナーチェンジをし、2015年「Hotei」はそのドアを閉じた。

パーティ寿司ケータリング
2000年代、レストラン営業と同時に経営の柱となっていたのが、パーティー出張寿司とビジネスケータリングだ。結婚式から著名なホテルのミーティングまで引っ張りだことなった。ケータリングが新しい食ビジネスとして急成長したのもこの頃。その中心となって支えてきたエリックさんは、「状況はクレージーだった」と父、兄弟と走り回った当時を振り返る。現在、本店を軸としたバランスの良いビジネスを展開している。

エアポート「Ebisu 」2号店と金融街の「Hotei」2号店
2000年代初頭、「Ebisu」ファミリーは、「全米で一番グルメな空港」と呼ばれるSFO(サンフランシスコ空港)の新国際ターミナルに支店を出した。アジア人口の比率が最も多い北カリフォルニアならではの食文化を象徴した店舗セレクションの中でEbisuは際立っていた。さらに「Hotei」2号店も金融街にオープンし、経営は最高潮に達していた。しかしその裏では人事やマネージメント面での苦労が耐えなかったという。本店から距離が遠いこともあり、「常に目が届く範囲」というスティーブさんの思惑からかけ離れていたようだ。急激な日本食需要に人材確保が追い付かない時代でもあった。

本店の大改装
2000年代後半からサンフランシスコはITバブル期に突入し、和食高級店が続々と出現し、Omakaseや懐石メニューを提供する“ハイエンド”レストランが一気に増えた。Ebisu は2008年に店内の全面改装をしたが、30数年間通してきた地元密着型のカジュアルレストランの位置付けは変えなかった。その為トレンドに惑わされる事なく長年の常連客を確保している。更に改装により、90年代の平凡な寿司店のイメージはモダンで当たるく広々としたイメージに代わり、新しい客も呼び込んでいる。カウンター席が増えた事で一人客も増えている。

一代で築いた老舗Ebisuは時代と共にビジネスの形態を変えながら歩んで来た。変わらないのは新鮮なネタの提供と地域の常連客のサポートだ。他人任せにしない家族経営店の信念は今2代目へと引き継がれ、更なる進化を遂げようとしている。



Ebisu
1283 9th Ave 
San Francisco, CA 
 (415) 566-1770
 https://ebisusushi.com

lunch
Monday to Friday 11:30-14:00
Saturday 11:30-14:30

Dinner
Monday to Thursday 17:00-22:00
Friday ,Saturday 17:00-23:00
#SF #alljapannews #ebisu #restaurant #sushi

ワオ!と言っているユーザー

日本酒と食のペアリング

スレッド
特に日本酒と食のペアリングに対して、多くの人は「何を大げさな、あまり関係ない」と考えているのではないだろうか?

今回は、ちょっとした心がけで日本酒と料理のペアリング能力が上がるコツを教えたい。

まずは、なるべく性質の違う日本酒3銘柄を用意していただきたい。性質の違いは、本当は飲んでみないとなかなか分かりにくいが、とりあえずはラベルで判断できる情報で選んでみる。

たとえば、純米大吟醸、特別純米、純米生酛で全く違う産地のものを見つけてみる。秋田、新潟、兵庫など。米国産の日本酒も手軽な価格なのでこれらも入れると面白い。

3銘柄の酒は必ず同じ形状のグラスを使うこと。その際、3時間くらい冷蔵庫に保存し、55度Fくらいになるようにしておく。(白ワイングラスがベター)
さて料理だが、何も日本食に限らず、たとえば、中華、イタリアンなど(あまりスパイシーなものやニンニクの強いものは避ける)で試すのも面白い。
注意する点は、日本酒を飲んだ時の料理との調和、旨みの変化、その食特有の臭さの変化、後味だ。これらが心地よければペアリングは、「良い」こととなる。


Food and Japanese sake pairing

Especially when it comes to pairing Japanese sake with food, many people likely think, “What’s with the exaggeration…? It doesn’t really matter.”

In this issue, I’d like to pass on to our readers a trick that enhances one’s abilities to pair sake with food.

First, please select three brands of sake with very different properties. The differences in properties are hard to tell without drinking the sake, but first, let’s select the sake according to the information listed on each label.

For example, please select a Junmai Daiginjo, Tokubestu Junmai, and Junmai Kimoto, all produced in different regions like Akita, Niigata, and Hyogo prefectures, etc. Sake produced in the U.S. are reasonably priced, for including a few of these brands in the mix may also be fun. Please be sure to use the same shaped glass for each of the three sake brands. It’s best to store the glasses in the refrigerator for approximately 3 hours and to maintain their temperature at 55 degrees Fahrenheit. (white wine glasses are better)

And now, for the cuisine. There’s no need to stick with Japanese cuisine, for it’s fun to also pair sake with Chinese and Italian (please avoid excessively spicy or strong garlic-flavored dishes) cuisines. Please be careful to compare the balance between the sake and the food upon consumption, the changes detected in the umami flavors, and any changes in the aroma particular to that food, and aftertaste. If these factors in the pairing are satisfying, then it’s safe to say the pairing was a “success.”


清酒與食物的搭配

特別是對於清酒和食物的搭配,很多人都認為「何必煞有介事;其實並無甚關係吧」。
這一次,我想教你如何花一點心思就能提高清酒和料理的搭配能力。
首先,請儘可能準備三款具有不同特徵的清酒品牌。特徵的差異,很難透過實際嘗試以外的方法所得知;但首先可以試一下能夠從標籤判斷到的信息來進行選擇。
例如,嘗試找出完全不同產地的純米大吟釀、特別純米酒以及純米生酛。例如秋田,新潟,兵庫等。由於美國製造的清酒也能以合理的價格購買,故將之列為選擇之一,亦有其趣。
請務必使用相同形狀的酒杯來盛載這三個品牌的清酒。此時,將其存放在冰箱里大約三個小時,然後保持在華氏55度。(使用白葡萄酒杯能達到更好的效果)
好吧,接下來是料理。無須規限於日本料理;不防嘗試中國菜、意大利菜等(但儘量避免辛辣或大蒜味濃烈的料理),亦頗有意思。
要注意的事項,是喝清酒時與料理的調和、滋味的變化、該食物獨有的氣味的變化,以及其回味。如果以上皆令你感到愜意,則稱為「好」搭配。


일본주와 음식의 페어링

특히 술과 음식 페어링에 대해 많은 사람들이 "뭐 그렇게까지, 별로 관계 없다"고 생각하고 있지는 않을까요?
이번에는 약간의 노력으로 일본주와 요리의 페어링 능력을 높일 수 있는 비결을 알려주고 싶습니다.
우선 최대한 성질이 다른 일본주 3종류를 준비하십시오. 성질의 차이는 실제로 마셔봐야 알 수 있는 것이지만, 일단 라벨에서 확인할 수 있는 정보로 선택해 봅니다.
예를 들어, 쥰마이 다이긴죠, 특별 쥰마이, 쥰마이 키모토처럼 산지가 전혀 다른 것을 찾아 봅니다(아키타, 니가타, 효고 등). 미국에서 만든 일본주도 가격이 저렴하니 이것도 함께 비교해 본다면 재미있을 것입니다.
3종류의 술은 반드시 같은 모양의 유리컵에 담으십시오. 이때 냉장고에 3시간 정도 보관해서 55°F 정도가 되도록 합니다(화이트 와인잔이 더 좋습니다).
그리고 요리는 일본 음식뿐만 아니라 중식, 이탈리아 음식 등 (너무 맵거나 마늘맛이 강한 것은 피합니다.)과 함께 시도해보는 것도 재미있습니다.
주의할 점은 일본주를 마셨을 때 음식과의 조화, 맛의 변화, 그 음식 특유의 향의 변화 뒷맛입니다. 이러한 느낌이 기분이 좋게 느껴진다면 페어링은 "좋다"고 볼 수 있습니다.
#alljapannews #pearing #sake

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