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- When in Rome do as the Romans do…
Japanese Sake : All Japan News,Inc
https://jp.bloguru.com/JapaneseSake_AllJapanNews
自己紹介
By All Japan News,Inc
Yuji Matsumoto
Master Sake Sommelier
Finalist of the 2nd World Sake Sommelier Competition. Graduated from Keio University Faculty of Law, Department of Political Science. Worked for Nomura Securities for 10 years. Former president of California Sushi Academy Former chief of planning dept. at Mutual Trading. Currently working for Kabuki Restaurant Corp. as a Beverage Manager of Sake.
Kosuke Kuji
Fifth Generation / Brewery Owner
Nanbu Bijin, Inc.
Born May 11, 1972. Entered Tokyo University of Agriculture's Department of Brewing and Fermentation. In 2005 became the youngest person ever to receive the Iwate Prefecture Young Distinguished Technician Award. In 2006 was selected to be a member of the board of trustees of his local alma mater, Fukuoka High School. Currently is featured in a number of media outlets including magazines, radio, and television.
*Positions of Public Service: Chairperson, Cassiopeia Corporation Youth Conference; School Board Member, Fukuoka High School, Iwate Prefecture, Vice-Chairman, Technology Committee, Iwate Prefecture Brewers and Distillers' Association.
Ayaka Ito
Owner of BESHOCK Ramen Sake Bar
Born in Nagoya, Aichi prefecture. Started going abroad including the US, Canada, and South Korea to study and deepen knowledge while still in high-school. Encountered with Japanese sake in Tohoku, while being involved in a long-term volunteering activity for the Great East Japan Earthquake. Sake of Miyagi, a famous region for sake making, was so impressive- ”I didn’t know such delicious domestic sake existed in Japan!” BESHOCK was opened in San Diego to let the world know the goodness of Japanese sake and Japanese cuisine for a responsibility as a specialist/Sake sommelier.
Ryuji Takahashi
Regional Sake Specialty Store "Ji Sakeya" Owner, Master Sake Sommelier, Shuto-Meijin, and the charismatic guru of ordinary sake.
Plans and manages events and seminars with his own unique flare to introduce the appeal of Japanese sake and cuisine, unaffected by the latest trends, while managing a jizake retail store.
David Kudo
Sake Sommelier
Master Sake Sommelier
President, All Japan News Inc.
Born Kita-Akita City, Akita Prefecture. Took over as Executive Officer of the Japanese Food Trend News founded in 1991, when the predecessor was assigned back to Japan. Currently distributed as Japan Restaurant News (20,000 issues published electronically) in North America, Japan, and Southeast Asia.
最新コメント
When in Rome do as the Romans do…
By Yuji Matsumoto
If you ask me if I enjoy having cocktails, my answer would be no. But that’s my personal preference. Develop sake and shochu cocktails at the restaurant and sell it. These cocktails are actually more popular, so I even have a “Sake Bomb” (a mix of hot sake and beer) on the menu. Other popular cocktails on the menu are the “sake-tini” using nigori (unfiltered)sake, and shochu mojitos.
What’s important here is that I used sake and shochu as base for the cocktails. It is about showcasing the many ways you can enjoy them other than having them straight, so people can gradually learn their flavors.
The reason why sushi became so popular in America is, without any dispute, because of the new-wave creation of “California Rolls,” although it was looked down as not being authentic by many sushi chefs from Japan. But this contributed to the increase of sushi fans, bringing in customers to the traditional nigiri-only (i.e., no rolls) and chef’s-special-only venues. If the California-style sushi, such as spicy tuna rolls and shrimp tempura rolls, disappeared from the current venues, the sushi fan base would probably diminish to 1/10 or even 1/20 of its current scale. No doubt this would eradicate the currently popular sake and shochu markets.
It is my belief that those selling sake and shochu should make efforts to “localize” when recommending them.
その国の食文化に合った酒の飲み方
個人的にカクテルを飲むかと聞かれれば答えは「ノー」だ。しかし、それは私個人の嗜好であり、レストランではもちろん日本酒や焼酎カクテルは開発し販売している。むしろ、これらの日本酒・焼酎カクテルの方がうけが良く、熱燗とビールを混ぜた「サケボム」もメニューに載せているくらいだ。また、にごり酒を使ったカクテル、サケティーニ、焼酎ベースのモヒート（ミントとライム、もとはラム酒がベース）などは飛ぶように売れる。
重要な事は創作したカクテルになっているベースのアルコールが日本酒や焼酎であり、ストレートだけでなくいろいろな楽しみ方があること、そして徐々に酒本来の味を教えることだ。
寿司が米国でこれほどの市民権を得たのは、まぎれもなく創作すし「カリフォルニアロール」（多くの日本からの職人さんは邪道と決め付けたが）のおかげと言っても過言ではない。これが寿司人口を増やし現在、握り一本、おまかせオンリーの店でも顧客が来るようになったのだ。もし、スパイシーツナロールや海老天ロールなどの創作寿司が現在の寿司店から姿を消したら米国での寿司人口は1/10以下、いや1/20以下にもなるだろう。現在売れている日本酒や焼酎の市場がおそらく消滅してしまうのは間違いない。
日本酒や焼酎に携わってる方は、もっと「その国の文化に添った」楽しい日本酒や焼酎の提案をしていくべきである。
If you ask me if I enjoy having cocktails, my answer would be no. But that’s my personal preference. Develop sake and shochu cocktails at the restaurant and sell it. These cocktails are actually more popular, so I even have a “Sake Bomb” (a mix of hot sake and beer) on the menu. Other popular cocktails on the menu are the “sake-tini” using nigori (unfiltered)sake, and shochu mojitos.
What’s important here is that I used sake and shochu as base for the cocktails. It is about showcasing the many ways you can enjoy them other than having them straight, so people can gradually learn their flavors.
The reason why sushi became so popular in America is, without any dispute, because of the new-wave creation of “California Rolls,” although it was looked down as not being authentic by many sushi chefs from Japan. But this contributed to the increase of sushi fans, bringing in customers to the traditional nigiri-only (i.e., no rolls) and chef’s-special-only venues. If the California-style sushi, such as spicy tuna rolls and shrimp tempura rolls, disappeared from the current venues, the sushi fan base would probably diminish to 1/10 or even 1/20 of its current scale. No doubt this would eradicate the currently popular sake and shochu markets.
It is my belief that those selling sake and shochu should make efforts to “localize” when recommending them.
その国の食文化に合った酒の飲み方
個人的にカクテルを飲むかと聞かれれば答えは「ノー」だ。しかし、それは私個人の嗜好であり、レストランではもちろん日本酒や焼酎カクテルは開発し販売している。むしろ、これらの日本酒・焼酎カクテルの方がうけが良く、熱燗とビールを混ぜた「サケボム」もメニューに載せているくらいだ。また、にごり酒を使ったカクテル、サケティーニ、焼酎ベースのモヒート（ミントとライム、もとはラム酒がベース）などは飛ぶように売れる。
重要な事は創作したカクテルになっているベースのアルコールが日本酒や焼酎であり、ストレートだけでなくいろいろな楽しみ方があること、そして徐々に酒本来の味を教えることだ。
寿司が米国でこれほどの市民権を得たのは、まぎれもなく創作すし「カリフォルニアロール」（多くの日本からの職人さんは邪道と決め付けたが）のおかげと言っても過言ではない。これが寿司人口を増やし現在、握り一本、おまかせオンリーの店でも顧客が来るようになったのだ。もし、スパイシーツナロールや海老天ロールなどの創作寿司が現在の寿司店から姿を消したら米国での寿司人口は1/10以下、いや1/20以下にもなるだろう。現在売れている日本酒や焼酎の市場がおそらく消滅してしまうのは間違いない。
日本酒や焼酎に携わってる方は、もっと「その国の文化に添った」楽しい日本酒や焼酎の提案をしていくべきである。
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